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Kitchen Talk with Gean Moreno

Date: Thursday October 8, 2015.
Time: 1pm.
Place: Konstnärsnämnden, The Iaspis Kitchen.
Address: Maria skolgata 83, Stockholm.
Gean Moreno is Iaspis studio grant holder in Umeå Aug-Oct 2015.
Coffee will be served. Please note! Limited seats.

In this Kitchen Talk, Moreno will talk about an ongoing/W.I.P project dissecting the architectural animations that are employed by Miami developers in their projects.
Moreno is an artist and writer based in Miami. His work has been exhibited at the North Miami MoCA, Kunsthaus Palais Thum and Taxis in Bregenz, Institute of Visual Arts in Milwaukee, Haifa Museum in Israel, Arndt & Partner in Zürich, and Invisible-Exports in New York. He has contributed texts to various magazines and catalogues. In 2008, he founded [NAME] Publications. In 2012, Notes sur la mason moiré (ou un urbanisme pour la ville qui se vident), a book of essays co-authored with Ernesto Oroza, was published by Ecole Nationale Supériuere d’Architecture de Saint-Etienne. He is Artistic Director at Cannonball, an artists’ residency and alternative school in Miami.

http://www.cannonballmiami.org/
Gean Moreno is Iaspis studio grant holder in Umeå Aug-Oct 2015.
Coffee will be served. Please note! Limited seats.

Iaspis Kitchen Talks 2010 – 2015, in selection: Breeze Yoko, artist and curator Johannesburg (RSA); Azalea Seratoni, art historian, writer and curator in art and design (ITA); Shuddhabrata Sengupta, Raqs media Collective (IND); Yvonee Dodorer, architect (DE); Ruth Morrow, architect (IRL); Pierre Bernard,  design collective Grapus (FRA); Maureen Moreen graphic designer (NL); Jacob Fabricius (DEN); Margit Säde, curator, Tallinn; Eva Wittocx, STUK Arts Centre, Bryssel; Lise Nelleman, curator Sparwasser HQ, Berlin (DE); Felix Vogel, curator Bucharest biennal; Ana Janevski, curator Museum of Modern Art in Warszawa; Claire Staebler, curator, Paris (FRA); Kate Fowle, director iCI, New York (USA); Emmanuel Lambion, curator, Bryssel (BE); Dobrila Denegri, curator, Rom (ITA); Dieter Roelstraete, curator MuHKA, Antwerp (BE); Michelle Cotton, curator, Cubitt gallery, London (UK); Milena Hoegsberg, curator, New York (USA); Helmut Batista, director Capacete, Rio de Janeiro (BRA); Philippe Pirotte, director Kunsthalle Bern (SUI); Barnaby Drabble, curator, Zurich (SUI); Jan Debbaut, curator London (UK); Alexei Shulgin, curator, Moskow (RUS); France Choinière, Dazibao, Montreal (CAN); Pirkko Siitari, curator Helsinki (FIN); Melissa Mboweni, curator Cape Town (RSA); Eduardo Navas curator New York (USA); Noriko Kawakami, journalist, curator Tokyo (JAP); Nina Due, curator Design Museum, London (UK); Peter Lang, architect and professor (USA); Francien van den Westrenen, curator Stroom den Haag (NL); Jonas Lundqvist is Head of workshops at the Royal Opera in Stockholm (SWE).
 

Updated: 2015-10-06 Tell a friend
Gean Moreno’s own words about his practice: Over the last few years, after driving a straightforward studio practice to a dead-end, my production has followed two general lines, often at the edge of other fields, such as design research, and willing to promiscuously appropriate their modes of production. The first line is structured around research on material culture and emergent urban formations. Often undertaken in collaboration, the end results are texts and “diagrammatic” objects. These “diagrammatic” objects are artifacts that somehow contain the traits and dynamics of the urban forms being researched, and often look for ways to tweak these, to mine potentialities that may be latent in them. Very often these objects adhere to a functional logic. The second line is driven by a desire to produce knowledge-sharing platforms, such as publishing companies and alternative pedagogical initiatives. This has been undertaken both inside institutions and independently. In 2008, for instance, I started [NAME] Publications. To date, it has generated a dozen books. I have also worked on a number of informal, para-academic educational programmes. This second line is undergirded by a deep authorial ambiguity, as there is no distinction—at least for me— in these projects between being “artist production” and actual functioning non-profit entities or day jobs.
  • Address: Iaspis, Maria skolgata 83, 2nd floor
  • Phone: +46 8 - 50 65 50 00
  • E-mail: info@iaspis.se